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Andrea: Maria was an excellent student and she worked so hard during the course. She asked tons of great questions on our calls and was a pleasure to work with. Probably one of the best sessions for me so far!

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

The bass tone is played by hitting the center of the drum with your open hand. You want to bounce your whole hand against the skin to get that deep, low pitch. Also, by bouncing your hand off the head of the drum, the tones are left to resonate. Start by practicing this bass tone a few times — this is your core.

Rappers to watch 2019

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Djembe players use three basic sounds to get an array of different rhythms and feels — bass, tone, and slap, which have low, medium, and high pitches respectively. You get the different sounds by hitting the drum in different places and with different parts of your hands. Here’s our quick rundown to get you started.

Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.

If you’re planning your own campaign, you should highly consider taking Jay Coyle’s in-depth Soundfly Mainstage course, Crowdfunding for Musicians — the single best way to set yourself up for successful fundraising.

Before you get rid of something you should at least take the time to figure it out. If you still don’t like it you can put it back on the chopping block. But getting rid of something just because you didn’t give it a chance isn’t exactly fair. Learn it or lose it!

Loans for musicians

That’s right — we sent an even Better Now, out-of-this-WRLD probe past all the FEFE’s and ZEZE’s that were Meant to Be in the Top 5 of 2018’s Billboard Hot 100 charts, and what we got back was a tally of data and stats Grande enough to satiate all you Nonstop audiophiles’ consonance curiosity. Nice for What? Nice for showing any Childish Young Bunny how to craft a song XXXTensive enough to bang its way into a Top 40 slot, next year and beyond.

If you are still unsure if your mix is ready for mastering, send it to the mastering engineer and ask their opinion. Any professional engineer will be able to help you catch potential issues in your sound and give you advice on how to address them within your mix to ensure best possible final results for your mastered song.

Amy is a New York-based actor, singer, and vocal coach who’s worked in a variety of genres, from opera to rock musicals. She is the founder of TheoryWorks and the instructor for both Music Theory for Broadway Actors courses on Soundfly. She’s also a published expert whose articles on music theory for actors have been featured on Backstage (here and here), and an accomplished educator and coach whose students have appeared on Broadway, on national tours, on cruise lines, and in regional theater performances across the country.

In this edition of “Talking Points,” producer and beat maker Kaytranada talks about his grooves, his influences, and his upbringing, and we boil it down!

You can hear how popular this song really was in Live at the Apollo by listening to how bonkers the crowd goes during that track. But while their faith may have been restored, they still didn’t see Brown as anything more than a single artist, inconsistent at best.

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